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birb
Through a 1930s Plaubel Makina II, which – to put it mildly – is not exactly the quickest camera ever made. So what’s impressive here is really the patience that that bird had while I fought with the rangefinder. On Ilford Delta 400. #plaubelmakina #plaubelmakinaii #ilfordfilm #ilforddelta400
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my city was having a party
And I was thinking about why I like this one, not being a great fan of all the other ones. And maybe, I thought, maybe it’s because we basically got rid of one nation state. Should have gotten rid of all the other ones too while they were at it, but what do I know.…
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for today’s random technique-fuckery: guess who found his flash again
I guess this is a pretty obvious thing to do, taking 400 Volt discharge lamps into the shower. Also, self-portrait behind the scenes are always hilarious but dialing in the flash power for this was a bit of a special kind of mess. Anyway. Since they switch off the big photo light in the sky…
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Flohmarktromantik
With an Ihagee Exakta Varex IIa, on uhm film. Of some sort. The black and white sort. Also overexposed to hell and back because while I had looked at my light meter app, i didn’t adjust it correctly. It’s one step at a time here.
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night out
not entirely sure how this works but i’m glad we’re saving so much daylight that sundown is now 4:30 pm With a Zeiss Ikon Contax IIIa at 1/10s and f1.5, no tripod, and a sometimes more and sometimes less steady hand. On Kentmere 400.
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it’s a kink thing
being into rolleiflex mirror selfies is not a character weakness (to be repeated as a mantra). this is leaning into it The first one is really unfortunate amounts of good because I didn’t plan it properly and also this is the only double-exposure on the whole film and it came out great so what the…
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pet
is it a “found film” if I found it on my own desk? no? okay. With a Zeiss Ikon Contax IIIa, the old-school way of night photography (hand-held, 1/10s IIRC, f1.5 Sonnar)
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these fall apart if you look for too long so that’s not allowed
ceci n’est pas une photo faite par @reliographie de @_dualitaet_ et moi pen & ink & kozmic blues
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fucking seasons
These are not multiple exposures, it’s just something that broke with the self-timer and it kept the shutter open. I think. So this is a collaborative effort between me and my Reflex-Korelle. I’m not complaining, I also have two where everything did work properly and they’re worse than this. On Foma 400 and Vitamin D…
r-wos.org
every machine is a smoke machine if you use it wrong enough
all the things
by content
- art – cyanotypes, linocut, drypoint and things
- photography, mostly on film or paper negatives
- stuff with myself in it
- short reviews of things
- obsolete things like my trabant, or my typewriter
by film size
by camera model
- 1880s wooden 18×24 tailboard
- 1890s wooden 9×12 tailboard
- 1917 Vest Pocket Kodak
- generic 1920s 9×12
- 1920 No. 1A Autographic Kodak Special
- 1930s Zeiss Ikon Box-Tengor 54/2
- 1932 Rolleiflex “Old Standard”
- 1930s Plaubel Makina II
- 1930s Welta Perfekta
- 1930s Welta Weltini and Welti
- 1930s Super Dollina
- 1930s Kochmann Reflex-Korelle
- 1930s-50s Zeiss Ikon Nettars
- 1949 Mimosa II
- 1950s Mycro III A
- 1950s Pouva Start
- 1950s Zeiss Ikon Contax D
- 1953 Zeiss Ikon Contax IIIa
- 1955 Carl Zeiss Jena Werra
- 1962 Ihagee Exa “0”
- 1960s Ihagee Exakta Varex
- 1963 Voigtländer Vito CD
- 1967 Polaroid Automatic 230 Land Camera
- 1976 Ricoh Auto-Half E2
- 1980s Lomo Smena Symbol
- 1980s Panasonic Newvicon Video Camera
- 1990 Mamiya 645 Pro
- 1999 Sony Mavica FD88
- Pinhole Camera
- Olympus OM-D
- Smartphone
the latest stuff:
