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we didn’t have birds for a while
With a 1930s Kochmann Reflex-Korelle and a very very heavy 24 cm Schneider-Kreuznach Tele-Xenar. Which really belongs on a tripod, so of course this is hand-held. Two hands. #kochmannreflexkorelle #reflexkorelle
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dear diary, apparently it’s autumn now
Kitsch as payback for the passing of time. All with a 1999 Sony Mavica FD88, which saves images (3 or 4 of them usually) on 1.44 MB floppy disks – a frankly terrible choice for a digital camera. So obviously I’m a huge fan. Everything straight from the camera, just cropped to square format in…
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almost
fountain pen & ink & water Much more frustrating than producing things I hate completely (lots of those!) is making things I almost like. Like these. “oh wow this turned out completely shit” – fun, part of the process, who cares, try next thing “this is wrong but not completely” – fucking stupid, kill me…
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home (circa 1170)
With a Kochmann Reflex-Korelle of similar qualities (very outdated design that needs constant maintenance but in some ways an improvement over the future). With an adapted 30 mm f3.5 Zodiak-8 lens. On Foma Ortho 400. #reflexkorelle #kochmannreflexkorelle #zodiak8 #fomafilm #fomabohemia #fomaortho400
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rollei-flex
I’ve already posted the iphone version of this, which was maybe better (certainly sharper) but I have a thing for Rolleiflex mirror selfies and this is one. So it would be dishonest to myself not to post this. Also this isn’t a portfolio, this is a diary. Also these are a lot of justifications, maybe…
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sculptures
In Prague, with the poor man’s Leica, a Zeiss Ikon Contax IIIa. Also I think the first two with a Tiffen Red 25 filter because that makes it all look like I know what I’m doing. Also cropped a lot, because the law is that as soon as you only take a 50 mm lens…
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house
I have another picture of this where the house looks straight but the tree doesn’t. I don’t quite understand how reality works. With a late 30s Certo Super Dollina, on Foma 100
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test shots
methodical is probably too big of a word but it’s not quite as chaotic as it looks. though part of the exercise was testing the late 30s Certo Super Dollina that I bought because it was cheap. Not buying it would have been even cheaper (we already have 1930s 35 mm folding rangefinder at home)…
r-wos.org
every machine is a smoke machine if you use it wrong enough
all the things
by content
- art – cyanotypes, linocut, drypoint and things
- photography, mostly on film or paper negatives
- stuff with myself in it
- short reviews of things
- obsolete things like my trabant, or my typewriter
by film size
by camera model
- 1880s wooden 18×24 tailboard
- 1890s wooden 9×12 tailboard
- 1917 Vest Pocket Kodak
- generic 1920s 9×12
- 1920 No. 1A Autographic Kodak Special
- 1930s Zeiss Ikon Box-Tengor 54/2
- 1932 Rolleiflex “Old Standard”
- 1930s Plaubel Makina II
- 1930s Welta Perfekta
- 1930s Welta Weltini and Welti
- 1930s Super Dollina
- 1930s Kochmann Reflex-Korelle
- 1930s-50s Zeiss Ikon Nettars
- 1949 Mimosa II
- 1950s Mycro III A
- 1950s Pouva Start
- 1950s Zeiss Ikon Contax D
- 1953 Zeiss Ikon Contax IIIa
- 1955 Carl Zeiss Jena Werra
- 1962 Ihagee Exa “0”
- 1960s Ihagee Exakta Varex
- 1963 Voigtländer Vito CD
- 1967 Polaroid Automatic 230 Land Camera
- 1976 Ricoh Auto-Half E2
- 1980s Panasonic Newvicon Video Camera
- 1990 Mamiya 645 Pro
- 1999 Sony Mavica FD88
- Pinhole Camera
- Olympus OM-D
- Smartphone
the latest stuff:
