r-wos.org

every machine is a smoke machine if you use it wrong enough

  • night out

    night out

    not entirely sure how this works but i’m glad we’re saving so much daylight that sundown is now 4:30 pm With a Zeiss Ikon Contax IIIa at 1/10s and f1.5, no tripod, and a sometimes more and sometimes less steady hand. On Kentmere 400.

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  • it’s a kink thing

    it’s a kink thing

    being into rolleiflex mirror selfies is not a character weakness (to be repeated as a mantra). this is leaning into it The first one is really unfortunate amounts of good because I didn’t plan it properly and also this is the only double-exposure on the whole film and it came out great so what the…

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  • pet

    pet

    is it a “found film” if I found it on my own desk? no? okay. With a Zeiss Ikon Contax IIIa, the old-school way of night photography (hand-held, 1/10s IIRC, f1.5 Sonnar)

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  • these fall apart if you look for too long so that’s not allowed

    these fall apart if you look for too long so that’s not allowed

    ceci n’est pas une photo faite par @reliographie de @_dualitaet_ et moi pen & ink & kozmic blues

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  • fucking seasons

    fucking seasons

    These are not multiple exposures, it’s just something that broke with the self-timer and it kept the shutter open. I think. So this is a collaborative effort between me and my Reflex-Korelle. I’m not complaining, I also have two where everything did work properly and they’re worse than this. On Foma 400 and Vitamin D…

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  • clouds 2

    clouds 2

    Still with a 30s Kochmann Reflex-Korelle of questionable reliability but now with a relatively rare pre-war coated Tessar f2.8. Though to be totally honest, I could have shot this through the bottom of a wine bottle for the same result. But it was the holy-grail Tessar. Lens-coating is just not very relevant at night. Or…

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  • clouds 1

    clouds 1

    ~1935 Kochmann Reflex-Korelle with an adapted 30 mm f3.5 Zodiak-8 fisheye lens, pointed straight up, during full moon. I have slightly underestimated the amount of movement of things in the sky. On the other hand, I didn’t really have the choice to do shorter exposures anyway. This one was about three minutes. On Fomapan 400.…

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  • karlovy vary in the sun

    karlovy vary in the sun

    With a Rolleiflex, on film of some sort. That I forgot on my desk but found and scanned today. It’s only chaos if it’s coming from the chaos region of france, otherwise it’s just a sparkling storage system.

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  • things of some nature

    things of some nature

    paper & ink & dylan’s blonde on blonde. very much in the figuring out phase. i think liquid mask would help, as would something a bit more colorful than black for the washes. learnings so far: the key to liking your own stuff more is to not look at goya so much, that does help.…

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  • subminiature rainy day

    subminiature rainy day

    With a 1950s 17.5 mm Mycro III A. The google keyword is “HIT-type camera” for these. I’m slowly getting better at preparing the film for this little thing (it’s paper-backed 17.5 mm rollfilm, not exactly something one can just buy). Unfortunately my Mycro is slowly getting worse at being a camera. The back lock broke…

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