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home
The downside of the new old car is that i’m currently spending most of my free time with fixing all the little things that are broken instead of with photographing trees. But the upside is that it basically works and one can use it to drive to trees that are much further away. Or stork…
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Iris trägt den gefallenen Helden zum Olymp empor; August Wredow, 1857
They are all pretty good but this is objectively the best statue on Schlossbrücke. Camera: Ihagee Exakta Varex IIa, with Sonnar 135/f4 #berlinonfilm #ihageeexakta
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3 am
The nice thing about taking the Rolleiflex to the bar is that one has something to do while waiting for the tram on the way back. These are admittedly the only decent ones out of 12 but they’re surprisingly sharp for 1s exposure time after *many* beers, hand-held. Well hand-held-against-a-wall but still. Camera: beloved 1932…
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just chilling
Statues – for when you’d rather photograph people but also don’t want to ask. On the plus side, I’m prepared if I ever meet someone made out of bronze. Unfortunately I don’t know who made these or what their name is. They seemed rather quiet in any case. Camera: 1932 Rolleiflex “Old Standard”, on Foma…
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it’s a long way to the top if you wanna rock and roll
Camera: 1950s Ihagee Exakta Varex something tralala, need to use the other cameras more again, this is getting boring to type out 🙂 On Foma 200. #filmisnotdead #ihageeexakta #fomafilm #fomapan200 #birdsonfilm
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something a bit more alive
Still with the Ihagee Exakta Varex IIa, which has proven to be unusually reliable for an Exakta. Well, the frame counter is broken of course but other than that everything works. #ihageeexakta #fomapan200 #fomafilm
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faster than its shadow
So the trick is to wait until the bird is exactly on top of its own reflection in the window and only then press the shutter. Totally intentional. Absolutely not just random chance, it’s all skillz. Camera: Ihagee Exakta Varex IIa, with a 135mm/f4 Carl Zeiss Sonnar. On Foma 200. #grainisgood #ihageeexakta #fomafilm #fomapan200
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tree
Initially after seeing this tree I wanted to go back with a 9×12 and a tripod, to do it justice. But then everything was a bit too gray to find the motivation to go up there again. So this is in 35 mm, and you kinda have to imagine it’s in focus properly. The colors…
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ducking bird photography
Turns out, it all looks cooler when you’re getting closer. Watched some youtube vid with tips for bird photography some days ago, and modern cameras apparently have autofocus tracking for bird eyes?? Kids these days have it too easy. These on the other hand were shot with a manual focus 135mm/f4 Sonnar on a fully…
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clouds
it was spring for 15 minutes in Berlin, and the clouds looked pretty Camera: Ihagee Exakta Varex IIa, with a 135mm/f4 Carl Zeiss Sonnar, on Fomapan 200
r-wos.org
every machine is a smoke machine if you use it wrong enough
all the things
by content
- art – cyanotypes, linocut, drypoint and things
- photography, mostly on film or paper negatives
- stuff with myself in it
- short reviews of things
- obsolete things like my trabant, or my typewriter
by film size
by camera model
- 1880s wooden 18×24 tailboard
- 1890s wooden 9×12 tailboard
- 1917 Vest Pocket Kodak
- generic 1920s 9×12
- 1920 No. 1A Autographic Kodak Special
- 1930s Zeiss Ikon Box-Tengor 54/2
- 1932 Rolleiflex “Old Standard”
- 1930s Plaubel Makina II
- 1930s Welta Perfekta
- 1930s Welta Weltini and Welti
- 1930s Super Dollina
- 1930s Kochmann Reflex-Korelle
- 1930s-50s Zeiss Ikon Nettars
- 1949 Mimosa II
- 1950s Mycro III A
- 1950s Pouva Start
- 1950s Zeiss Ikon Contax D
- 1953 Zeiss Ikon Contax IIIa
- 1955 Carl Zeiss Jena Werra
- 1962 Ihagee Exa “0”
- 1960s Ihagee Exakta Varex
- 1963 Voigtländer Vito CD
- 1967 Polaroid Automatic 230 Land Camera
- 1976 Ricoh Auto-Half E2
- 1980s Panasonic Newvicon Video Camera
- 1990 Mamiya 645 Pro
- 1999 Sony Mavica FD88
- Pinhole Camera
- Olympus OM-D
- Smartphone
the latest stuff:
