but through a 1935 Plaubel Makina II, which makes everything look pretty, especially wide open. I think I’ll get some slower film for it next, so I can keep it at f2.9 more often.
These ones on Fomapan 100, which is extremely picky about how it wants to get exposed. If you hit it right on, it looks very nice – but there isn’t a lot of room to over/underexpose. Delta 100 is much more forgiving, which suits my, uhm, “workflow” (or lack thereof) much better.
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