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every machine is a smoke machine if you use it wrong enough

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    • @richard.127.0.0.1
  • tis a silly place

    tis a silly place

    Positano on the italian Amalfi Coast. Kinda cute though. Good place to park at with your mega yacht apparently. Also somehow the place where Jagger/Richards wrote Midnight Rambler.

    blog, film, mediumformat, nettar, photography
  • napoli

    napoli

    with a 1930s Zeiss Ikon Nettar 6×9, on Foma 200. The night pictures one ~1 hour at f11 and one ~10 minutes at f4.5 (times chosen by fair dice roll), and they both worked out alright, so I guess night photography is actually easy.

    blog, film, mediumformat, nettar, photography
  • wedding

    wedding

    with a 1932 Rolleiflex Old Standard, on Foma 200

    blog, film, mediumformat, photography, rolleiflex
  • summer etc

    summer etc

    With a piece of 80s plastic made in the USSR called a Lomo Smena Symbol – which is somehow more enjoyable to use than it has any right to. And also I got it for free, so that’s hard to argue with. On Foma 200.

    35mm, blog, film, photography, smena
  • giraffe just got up

    giraffe just got up

    Zeiss Ikon Contax D with a 135 f2.8 Mamyia/Sekor lens, on Foma 200

    35mm, blog, contaxd, film, photography
  • might as well jump

    might as well jump

    in front of an 80s panasonic video camera, turned to portrait orientation. i’m not sure whether i like the rendering more or the fact that i can choose out of 7000 frames with it. that would get rather expensive on medium format film.

    blog, newvicon, photography, self
  • video artifacts

    video artifacts

    it handles backlight very badly, i.e. very well

    blog, newvicon, photography, self
  • tv shower

    tv shower

    the abuse of video cameras to take still pictures will continue until morale improves, or until i get bored of it. It’s all a bit inconsistent because the camera had auto exposure on and it seems to change color rendering once it warms up. Also, the chip i use for capturing does some automatic level…

    blog, newvicon, photography, self
  • dress

    dress

    steady hands are hard to come by 🙂 with a ~1930s Zeiss Ikon Ikonta, 6×4.5 medium format, on foma 200

    blog, film, mediumformat, nettar, photography
  • interior decoration

    interior decoration

    with a 1940s Mimosa II, on Foma 200. Which the camera ripped apart after the tenth picture unfortunately

    35mm, blog, film, mimosa, photography
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all the things

by content

  • art – cyanotypes, linocut, drypoint and things
  • photography, mostly on film or paper negatives
  • stuff with myself in it
  • short reviews of things
  • obsolete things like my trabant, or my typewriter

by film size

  • subminiature
  • 35 mm
  • 35 mm half-frame
  • medium format
  • large format

by camera model

  • 1880s wooden 18×24 tailboard
  • 1890s wooden 9×12 tailboard
  • 1917 Vest Pocket Kodak
  • generic 1920s 9×12
  • 1920 No. 1A Autographic Kodak Special
  • 1930s Zeiss Ikon Box-Tengor 54/2
  • 1932 Rolleiflex “Old Standard”
  • 1930s Plaubel Makina II
  • 1930s Welta Perfekta
  • 1930s Welta Weltini and Welti
  • 1930s Super Dollina
  • 1930s Kochmann Reflex-Korelle
  • 1930s-50s Zeiss Ikon Nettars
  • 1949 Mimosa II
  • 1950s Mycro III A
  • 1950s Pouva Start
  • 1950s Zeiss Ikon Contax D
  • 1953 Zeiss Ikon Contax IIIa
  • 1955 Carl Zeiss Jena Werra
  • 1962 Ihagee Exa “0”
  • 1960s Ihagee Exakta Varex
  • 1963 Voigtländer Vito CD
  • 1967 Polaroid Automatic 230 Land Camera
  • 1976 Ricoh Auto-Half E2
  • 1980s Lomo Smena Symbol
  • 1980s Panasonic Newvicon Video Camera
  • 1990 Mamiya 645 Pro
  • 1999 Sony Mavica FD88
  • Pinhole Camera
  • Olympus OM-D
  • Smartphone

the latest stuff:

  • the reader

    the reader

  • here comes the sun

    here comes the sun

  • relatively quick vines

    relatively quick vines

  • relaxing ride out

    relaxing ride out

  • 18×24 tree

    18×24 tree

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