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more half frame panoramas
because they’re awesome. First picture from near Llandudno, second one from Aberystwyth, third one from a farm near Goodwick & Fishguard. Ricoh Auto-Half, on unintentionally overexposed Kodak Gold 200.
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ruins
With a ~1917 Vest Pocket Kodak, which worked perfectly – what didn’t work so well was the film (Rollei Crossbird). It can’t have been my development or the airport scanners, because I had other film going through the same things and come out fine. I guess I got a bad batch. I think I’ll try…
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really weird horses
They were very friendly though. And displaying the appropriate amount of action for the compact little sports camera that is the Plaubel Makina 6×9. On Kodak Porta 400.
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The area east of Bethesda, North Wales.
With a Ricoh Auto-Half half-frame camera, which has decided to forget the “auto” half (hahaha) of its name and just shoot everything at maximum aperture, overexposing basically everything. It worked out alright for this one though. On Kodak Gold 200. #shootfilmstaybroke #ricohautohalf #halfframe #halfframepanorama
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brandenburg and dust
With the compact little travel cam Mamiya 645 that i’m somehow beginning to really enjoy, a 150 mm lens, and Fomapan 200. the dust is from berlin
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trees & people
wherein the people sort of mirror the trees, which i only noticed when scanning this. uhm i mean, which i absolutely did do on purpose. with a 1934 Welta Perfekta, on Kentmere 400.
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birbs
With a Mamiya 645, and a 150 mm / f 3.5 lens. Which is manual focus, as you can tell by the fact that neither of the birds are in focus. But they are in frame, which is more than I usually manage to do. It’s one step at a time here. On Ilford Delta…
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camera test thälmann
From the first roll of the Mamiya 645 Pro that I currently have lying around here. It just works. I should have assumed as much but you never know. Maybe more exciting subjects to follow but generally speaking that remains optional.
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sun’s out
With a Mamiya 645 Pro – but not ma mamiya, my friend’s, on loan. What a compact, stealthy little camera. I’m pretty sure the power winder is louder than my motorcycle, and the whole contraption is about as heavy as one. I do have a sweet spot for absurd cameras, and this is no exception.…
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tree+tree
With a 1934 Welta Perfekta. It’s always a bit of a surprise what actually ends up in frame, because the viewfinder is a) not very good and b) sort of open on the sides, so the only thing you see is the very center of the frame. Welta Imperfekta.
r-wos.org
every machine is a smoke machine if you use it wrong enough
all the things
by content
- art – cyanotypes, linocut, drypoint and things
- photography, mostly on film or paper negatives
- stuff with myself in it
- short reviews of things
- obsolete things like my trabant, or my typewriter
by film size
by camera model
- 1880s wooden 18×24 tailboard
- 1890s wooden 9×12 tailboard
- 1917 Vest Pocket Kodak
- generic 1920s 9×12
- 1920 No. 1A Autographic Kodak Special
- 1930s Zeiss Ikon Box-Tengor 54/2
- 1932 Rolleiflex “Old Standard”
- 1930s Plaubel Makina II
- 1930s Welta Perfekta
- 1930s Welta Weltini and Welti
- 1930s Super Dollina
- 1930s Kochmann Reflex-Korelle
- 1930s-50s Zeiss Ikon Nettars
- 1949 Mimosa II
- 1950s Mycro III A
- 1950s Pouva Start
- 1950s Zeiss Ikon Contax D
- 1953 Zeiss Ikon Contax IIIa
- 1955 Carl Zeiss Jena Werra
- 1962 Ihagee Exa “0”
- 1960s Ihagee Exakta Varex
- 1963 Voigtländer Vito CD
- 1967 Polaroid Automatic 230 Land Camera
- 1976 Ricoh Auto-Half E2
- 1980s Panasonic Newvicon Video Camera
- 1990 Mamiya 645 Pro
- 1999 Sony Mavica FD88
- Pinhole Camera
- Olympus OM-D
- Smartphone
the latest stuff:
