-
trees & people

wherein the people sort of mirror the trees, which i only noticed when scanning this. uhm i mean, which i absolutely did do on purpose. with a 1934 Welta Perfekta, on Kentmere 400.
-
birbs

With a Mamiya 645, and a 150 mm / f 3.5 lens. Which is manual focus, as you can tell by the fact that neither of the birds are in focus. But they are in frame, which is more than I usually manage to do. It’s one step at a time here. On Ilford Delta…
-
camera test thälmann

From the first roll of the Mamiya 645 Pro that I currently have lying around here. It just works. I should have assumed as much but you never know. Maybe more exciting subjects to follow but generally speaking that remains optional.
-
sun’s out

With a Mamiya 645 Pro – but not ma mamiya, my friend’s, on loan. What a compact, stealthy little camera. I’m pretty sure the power winder is louder than my motorcycle, and the whole contraption is about as heavy as one. I do have a sweet spot for absurd cameras, and this is no exception.…
-
tree+tree

With a 1934 Welta Perfekta. It’s always a bit of a surprise what actually ends up in frame, because the viewfinder is a) not very good and b) sort of open on the sides, so the only thing you see is the very center of the frame. Welta Imperfekta.
-
we don’t get that much white powder here usually

With a slightly wet 1934 Welta Perfekta, at midnight. But it was still pretty bright, ISO 200, f3.8, 5-ish seconds. Though sometimes 10 seconds or more because I’m not used to these light levels. Or I like counting or something. On Fomapan 400. Also, the 7.5 cm Trioplan in the Welta apparently vignettes quite a…









