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every machine is a smoke machine if you use it wrong enough

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    • @richard.127.0.0.1
  • i was at a zoo

    i was at a zoo

    dinosaurs, disco balls, and aperol – isn’t nature amazing

    blog, olympusomd, photography
  • sparkly

    sparkly

    parts of @friederikeaps in something very glittery. who said still lifes have to be with inanimate objects. oh everyone? alright, alright. digital, because it’s winter in berlin and light is hard to come by. olympus om-d e-10 mark ii

    blog, olympusomd, photography
  • flowers

    flowers

    with a Voigtländer Vito CD with a flipped rear lens element. though at f11 or so, so that’s only visible near the edges.

    35mm, blog, film, photography, vito
  • life under a rock

    life under a rock

    with a Rolleiflex, Fomapan 200, and too little light. I come back every year thinking “i should have taken more pictures”. maybe next year 🙂

    blog, film, mediumformat, photography, rolleiflex
  • see ya next year ◡̈

    see ya next year ◡̈

    blog, mavica, photography
  • civilization and snow

    civilization and snow

    with a Yashica Samurai X3.0, which looks like a cheap camcorder but is actually an expensive half-frame film SLR. It’s also auto-everything, including auto-focus – which as far as I can tell mostly means it automatically focuses on the wrong thing. So that’s one thing I used to do manually off my plate now. Progress!…

    blog, film, halfframe, photography, samurai
  • lamp

    lamp

    as seen with your feet in the air and your head on the ground Zeiss Ikon Contax IIIa, on Ilford Delta 400

    35mm, blog, contax, film, photography
  • vintage digital

    vintage digital

    as the kids would say. if they could speak. also shameless mirror selfies but that’s more something my generation would say. all the 1.3 megapixels of a 1999 Sony Mavica FD88. on Fujifilm floppy disks that I got because I think that’s kinda funny. I am very easily amused.

    blog, mavica, photography, self
  • Renaissance lighting is so yesterday.

    Renaissance lighting is so yesterday.

    I’ve had a bit of trouble getting something on film there, the literature is very scant on how to calculate flash power when shot through a tomato. Or any kind of fruit really. My contribution to the science is this: tomatoes block much more light than you’d think. I would even go so far as…

    35mm, blog, contaxd, film, photography, self
  • after dark

    after dark

    With a Voigtländer Vito CD with a flipped rear lens element and no tripod, on Delta 400.

    35mm, blog, film, photography, vito
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all the things

by content

  • art – cyanotypes, linocut, drypoint and things
  • photography, mostly on film or paper negatives
  • stuff with myself in it
  • short reviews of things
  • obsolete things like my trabant, or my typewriter

by film size

  • subminiature
  • 35 mm
  • 35 mm half-frame
  • medium format
  • large format

by camera model

  • 1880s wooden 18×24 tailboard
  • 1890s wooden 9×12 tailboard
  • 1917 Vest Pocket Kodak
  • generic 1920s 9×12
  • 1920 No. 1A Autographic Kodak Special
  • 1930s Zeiss Ikon Box-Tengor 54/2
  • 1932 Rolleiflex “Old Standard”
  • 1930s Plaubel Makina II
  • 1930s Welta Perfekta
  • 1930s Welta Weltini and Welti
  • 1930s Super Dollina
  • 1930s Kochmann Reflex-Korelle
  • 1930s-50s Zeiss Ikon Nettars
  • 1949 Mimosa II
  • 1950s Mycro III A
  • 1950s Pouva Start
  • 1950s Zeiss Ikon Contax D
  • 1953 Zeiss Ikon Contax IIIa
  • 1955 Carl Zeiss Jena Werra
  • 1962 Ihagee Exa “0”
  • 1960s Ihagee Exakta Varex
  • 1963 Voigtländer Vito CD
  • 1967 Polaroid Automatic 230 Land Camera
  • 1976 Ricoh Auto-Half E2
  • 1980s Panasonic Newvicon Video Camera
  • 1990 Mamiya 645 Pro
  • 1999 Sony Mavica FD88
  • Pinhole Camera
  • Olympus OM-D
  • Smartphone

the latest stuff:

  • might as well jump

    might as well jump

  • video artifacts

    video artifacts

  • tv shower

    tv shower

  • dress

    dress

  • interior decoration

    interior decoration

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