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sparkly

parts of @friederikeaps in something very glittery. who said still lifes have to be with inanimate objects. oh everyone? alright, alright. digital, because it’s winter in berlin and light is hard to come by. olympus om-d e-10 mark ii
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flowers

with a Voigtländer Vito CD with a flipped rear lens element. though at f11 or so, so that’s only visible near the edges.
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life under a rock

with a Rolleiflex, Fomapan 200, and too little light. I come back every year thinking “i should have taken more pictures”. maybe next year 🙂
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civilization and snow

with a Yashica Samurai X3.0, which looks like a cheap camcorder but is actually an expensive half-frame film SLR. It’s also auto-everything, including auto-focus – which as far as I can tell mostly means it automatically focuses on the wrong thing. So that’s one thing I used to do manually off my plate now. Progress!…
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lamp

as seen with your feet in the air and your head on the ground Zeiss Ikon Contax IIIa, on Ilford Delta 400
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vintage digital

as the kids would say. if they could speak. also shameless mirror selfies but that’s more something my generation would say. all the 1.3 megapixels of a 1999 Sony Mavica FD88. on Fujifilm floppy disks that I got because I think that’s kinda funny. I am very easily amused.
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Renaissance lighting is so yesterday.

I’ve had a bit of trouble getting something on film there, the literature is very scant on how to calculate flash power when shot through a tomato. Or any kind of fruit really. My contribution to the science is this: tomatoes block much more light than you’d think. I would even go so far as…








