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…fa
Okay, that was actually a small icebreaker called Swanti but it’s not my fault they named the ship wrong! Ihagee Exa, Hanimex 2x teleconverter, Pancolar 2/50mm, Delta 400, scanned negative
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McBoatfaces
This one on Delta 400, still with the technically really bad but artistically really good Hanimex teleconverter from the last couple posts.
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Kreidefelsen Krokodil
So this has weird colors because it was overexposed. I think. Usually my method is sunny 16, and then I add or subtract random amounts of time or aperture based on the current moon phase and my general feeling. It’s not very scientific. Sometimes I also look at my light meter app and then don’t…
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– Albrecht Dürer, 1502
This wild hare wasn’t very wild at all, and so extraordinary friendly and patient that even I managed to take a picture of it. And videos. Because the first rule of city kids club is to sort of freak out (quietly) once any kind of animal gets close. It stayed behind our tent for most…
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evening ice cream
Shot with an Ihagee Exa, with a Hanimex 2x teleconverter plus a Pancolar 2/50mm, on Konica Centuria 100 film, expired 2001. It can’t be overstated how absolutely optically shit this teleconverter is. In other words: I love it. Also IIRC, this was at 1/25s, hand-held. But who needs sharpness if you got vibes. Or something.…
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voted “best tree on Hiddensee” 600 years in a row
Shot with a Rolleiflex “Old Standard”, on Ilford Delta 400, scanned negative
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on a boat
Edward Hopper vibes but in sunny ◡̈ Shot with a Rolleiflex “Old Standard”, on Ilford Delta 400, scanned negative
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on the way
Back to film that I actually know how to develop properly 🙂 Rolleiflex “Old Standard”, on Ilford Delta 400, scanned negative
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fuzzy sunset memories
On Svema DS-4 color film, expired 1987, and very thoroughly at that. This was the last roll I had and I have gotten better in developing it: it doesn’t like temperature above 25°C, and it really doesn’t like too much C41 bleach. Also after development it just stays sticky forever. Even with C41 stabilizer. It’s…
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life’s a beach and then you die
Shot with a 1932 Rolleiflex “Old Standard”, on Ilford Delta 400, scanned negative, cropped digitally.
r-wos.org
every machine is a smoke machine if you use it wrong enough
all the things
by content
- art – cyanotypes, linocut, drypoint and things
- photography, mostly on film or paper negatives
- stuff with myself in it
- short reviews of things
- obsolete things like my trabant, or my typewriter
by film size
by camera model
- 1880s wooden 18×24 tailboard
- 1890s wooden 9×12 tailboard
- 1917 Vest Pocket Kodak
- generic 1920s 9×12
- 1920 No. 1A Autographic Kodak Special
- 1930s Zeiss Ikon Box-Tengor 54/2
- 1932 Rolleiflex “Old Standard”
- 1930s Plaubel Makina II
- 1930s Welta Perfekta
- 1930s Welta Weltini and Welti
- 1930s Super Dollina
- 1930s Kochmann Reflex-Korelle
- 1930s-50s Zeiss Ikon Nettars
- 1949 Mimosa II
- 1950s Mycro III A
- 1950s Pouva Start
- 1950s Zeiss Ikon Contax D
- 1953 Zeiss Ikon Contax IIIa
- 1955 Carl Zeiss Jena Werra
- 1962 Ihagee Exa “0”
- 1960s Ihagee Exakta Varex
- 1963 Voigtländer Vito CD
- 1967 Polaroid Automatic 230 Land Camera
- 1976 Ricoh Auto-Half E2
- 1980s Panasonic Newvicon Video Camera
- 1990 Mamiya 645 Pro
- 1999 Sony Mavica FD88
- Pinhole Camera
- Olympus OM-D
- Smartphone
the latest stuff:
